The Altenburg Ensemble is the UK's premier historical ensemble performing on natural trumpets.
Their historically informed performances, chiefly of Baroque and Renaissance music, draw from the treatises of the period, including those of Cesare Bendinelli (1614), Girolamo Fantini (1638) and Johann Ernst Altenburg (1795).
Despite the fact that much of the music is well over two hundred years old this is an exciting new development in early music performance. It is only with recent developments in understanding of period techniques, as pioneered by Jean-François Madeuf, that it has become possible to play this music on the instrument for which it was intended, the “noble and heroic” natural trumpet.
The natural trumpet uses only the pure intervals of the harmonic series, the intervals becoming narrower in the high register. This means that only the high register (clarino meaning high, clear tone) is suitable for melodic playing. Hearing the combination of the beauty of clarino playing resonate with the energy and power of the principale (lower register) and timpani it is easy to appreciate why the natural trumpet symbolised the heavens and the angels.
The glorious heralding of trumpets is most closely associated with fanfares, but the exceptional musicianship of trumpeters of the seventeenth and eighteenth century was highly prized. They could play music appropriate for any occasion. Solemn services would have required poise and subtlety, whereas accompanying chorales required a great beauty of tone (the sound of trumpets was compared to singing or playing the flute).
The ensemble aims to lead the way through performance and through research in the revival of the art of this ancient instrument. In addition to exploring just intonation and historical tuning the group is constantly finding new repertoire and demonstrating the amazing range and possibilities of the natural trumpet.
Coming up... Grand Baroque 2 at Exeter Cathedral. We have a very exciting concert coming up with the Monteverdi String Band, His Majestys Sagbutts and Cornetts and BEMP on 31st August. The programme includes Biber's Vesperae à 32 and Missa Alleluia à 36; fantastic and rarely performed pieces. Not to be missed if you're in the area!
The Altenburg Ensemble enjoyed a successful performance on Saturday 15th of March in Chingford. They performed with the Forest Choir in performances of Josef Haydn's Theresienmesse and Michael Haydn's Requiem.
This Altenburg Ensemble featured Katie Hodges, Russell Gilmour, Stephen Gilbey and Dominic Cotton with Stephen Burke on Timpani. The trumpeters and kettledrums opened the concert with a fanfare and chorale which were both composed by Johann Ernst Altenburg. The gap between the two pieces was skilfully bridged by Stephen Burke on Timpani, who performed an ornamentation of the bass line while the trumpeters changed crooks and prepared their semitone transposing mutes for the chorale.
Our next performance is this Saturday, 15th March. We will be performing Josef Haydn's Theresienmesse and Michael Haydn's Requiem with the English Baroque Sinfonia and the Forest Choir.
Check out Giles Whittome's article on our concert in the October edition of the Brass Herald!
The Altenburg Ensemble will be joining The English Cornett and Sackbut Ensemble and The Monteverdi String Band to perform Muffat's Missa in Labore Requies. Director JanJoost van Elburg.
Check out this review of our 'Grand Baroque' concert with the English Cornett and Sackbut Ensemble and the Monteverdi String Band by following the link below!
Thank-you to all who made our first recital a success! Watch this space for upcoming performances and projects.
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The Altenburg Ensemble has just joined Twitter. Our username is @altenburgens - please follow us and ask your friends to as well!Watch this space for exciting news and details of our upcoming concerts.
The Altenburg Ensemble will be performing with guest soloist Jean-François Madeuf this July! The recital is at 6pm at St John's Church Waterloo. We hope to see you there!